This run was a bit different for the LD however, as his own company, JSES LTD, provided all the lighting, truss, crew, operation and special effects. As a much sought after lighting and special FX production company, JSES is growing rapidly.
“My company has only been operational for two years and I have gone from a freelancer with a desk to a large operation that’s expanding all over the world,” Jon stated. ”We’re running fast to keep up with the
work load and the exciting clients we are working with.” Those clients include names, among others, as Drake and Gareth Malone.
About to mark their 25th anniversary, Bowling for Soup are showing no signs of slowing down. For the “Almost Christmas” tour the LD employed DARTZ 360 beam/spot effects, Satura Spot LED Pro moving heads, Proton 3K LED strobes, Paladin hybrid effect lights and Cuepix Blinder WW2s to complement a string of high-energy numbers from a band who clearly still have what it takes.
“We played cities the band doesn’t usually visit in the UK but still every show was busy,” said Jon, who also served as lighting operator and production manager on the tour.
He describes the design’s three-truss set up as fairly basic with front light and 2 trusses of strobes, blinders, washes and beams. “The music is very fast-paced so the design needed simple factors – speed and energy,” he said, adding that the DARTZ worked from mid- and back-truss with 6 on the floor to give depth to the stage.
“The DARTZ were the key wow factor in the design. We used them to create different looks and they were key to the energy behind the music,” he said while naming the double overlapping prisms and dimming ability as reasons why he was sold on the fixture.
The designer used Elation Satura Spots for front light and specials on the band, and because the
group is known for engaging with the crowd and likes to see their audience, he used the Protron
strobes and Cuepix blinders mainly for audience participation. The Paladin fixtures, a multi- functional LED blinder/strobe/washlight with zoom, operated from the front as well as side stage and were used to light the festive-themed backdrop.
Jon says he was pleased with the tour and the performance of the lighting package. He also gives
credit to lighting technician Matt Arblaster and lighting and pyro technician Chris Nicholls for their
hard work, part of what he says was quite a small team for the size of rig involved.