The 12 x BMFL Spots and 24 x Spiider LED wash beams were supplied, together with the rest of the lighting equipment, by Simul Argaman Systems.
Botner is one of the top Israeli artists and Mickey is one of the leading Israeli lighting designers whose colourful career stretches back 34 years. All the skills and talents combined to produce a spectacular show for Botner’s many fans.
Mickey’s idea to have five 6 metre long upstage / downstage ‘finger’ trusses – each positioned 2 metres apart and raked (back-to-front) – was inspired by one of the classic Pink Floyd “Division Bell” tour design of 1994 which had lighting designed by Marc Brickman.
He was impressed by both the geometry of the look and the additional dynamics and flexibility enabled by hanging the lights on the raked metalwork, where they were alternated on each rail of the trusses to balance out the weight.
Mickey loves the power and intensity of the BMFL together with the zoom, the advanced optics and the good range of gobos, all of which make it one of his go-to lights.
“The zoom absolutely stands out from other fixtures” he states, “and the fact that you don’t lose any brightness when adding a gobo or working in the darker colour ranges”.
He likes Spiiders even more, declaring, “It’s a totally brilliant fixture”.
He appreciates the speed and quietness and the super-tight 4 degree zoom in addition to the general versatility of the luminaire. During the tour, he says he only got around to doing a small percentage of the effects and looks he knows he can easily achieve with the Spiiders.
They had three days of production rehearsals at the start of the tour, in which time Mickey and programmer Yahav Tene created over 500 cues in the grandMA2 full size console.
Mickey has been using Robe products ever since the brand first burst onto the market in Israel in 2004, and always specs Robe for his domestic and international work. Back then it was a little known brand, but in the intervening years, that has changed dramatically!
“The products have just continued getting better and better over the years” he stated, “it’s obvious the company is in close contact with designers and programmers, and I am sure the impressive trajectory will continue”.
Mickey is in demand as an LD and several of the country’s top artists are among his current clients. His focus is music and rock ‘n’ roll, however he also lights corporate events and installations, bringing his fund of experience to a number of different scenarios. He’s known for his fresh and innovative approach and ability to think ‘out-of-the-box’.
Over the years he also developed a specific modus operandi for himself when running a lightshow which is rhythmic and totally harmonized with the music … ‘dancing on the desk’ as he puts it!
Mickey really relishes the art involved and the process of lighting and visual design as a whole – from the initial ideas, the pitch to the client, the plots, drawings and renders … right through to seeing the rig for real onstage. Then feeling the music and the vibes and delivering the show and most of all, the audience reaction.
“I still get goose-bumps when I hear an audience reaction to a lighting cue or some drama that I have helped create with a visual cue,” he says. “It’s such a special feeling to be able to make a lasting contribution to the show and receive such an immediate and emotional response.”
With some of Israel’s leading music stars on his client list, Mickey has worked hard and enjoyed an exciting, colourful and highly rewarding career of which he is proud.
In the last five years he’s expanded his horizons to design lighting for a series of karaoke venues / rooms called “Plug In”.
One of the biggest changes he’s seen over time is the technology. He really appreciates the lighting fixtures now available on the market, and the possibilities that they open up for the imaginative and inquisitive mind!
He was the first person in Israel to actually use Robe’s new MegaPointes in a show … where he managed to persuade local distributor Danor to hire out their two demo fixtures to a production, so now he’s looking forward to using them on a full design.