
The production “Die Drei ???
und der seltsame Wecker” (The Tree Investigators and the strange alarm clock)
the successful audio drama series has toured
Kai Schwind adapted the
original story and directed. The Three Investigators were created at the
beginning of the 1960s by the
The sold out tour relied heavily
on lighting and video as well as digital sound effects. mb-media Engineering
and Design GmbH used a control system consisting of 1 x grandMA2 full-size
console, 2 x MA NPUs (Network Processing Unit), 1 x grandMA2 replay unit with 1
x grandMA2 faderwing, 2 x MA VPUs (Video Processing Units) as well as MA
Digital Dimmer Touring. With this highly sophisticated system Operator Martin
Rupprecht controlled 28 x Vari*Lite VL1000 TSDs, 8 x Clay Paky Alpha Spot 1200s,
6 x Rainbow 8-Lite PRO Scrollers, 1 x Barco MiTRIX LED-Screen as well as Martin
moving lights.
“It was our intention to
work with lighting moods like in a theatre”, explained Rupprecht, “Therefore we
have used only halide lamps, with the exception of the blinders, which meant
short focussing times for us. The grandMA2 system was extremely helpful in controlling
the 4,500 parametres. The new MA NPU is very easy to configure. We just had to
set up the IP address and we could start working immediately. Furthermore the
monitoring possibilities were a big help thanks to the integrated touch screen.”
“The show ran with the new
grandMA2 software”, reported Rupprecht. “It worked perfectly and I could program
even faster than before. Operating the grandMA2 was really a breeze after a
short familiarisation. I especially like the new effects engine, the
possibility of setting up times in the presets, the part cues and the new macro
function.”
During pre-programming, the
crew relied on the new grandMA 3D. “With this software we have also had many
positive experiences too”, Rupprecht reports. “Both, the graphic performance as
well as the ease of use, have impressed us. Moreover we programmed the show in
Multi-User-Mode. One console was used for the moving lights and one for video –
which saved us a lot of time. The video pre-programming was done by Sebastian
Jakob in the run-up to the tour.
The whole network was
set-up with full redundancy. This would have made it possible to control the
show from the video operator's position behind the stage. A grandMA2 replay
unit as well as a grandMA2 faderwing were placed there as back-up, along with the
two MA VPUs. Additionally the system had MIDI-access to synchronise with the
sound.
“Working with the MA VPU
was very comfortable. This was based on its easy control via the consoles as
well as the plain plug-and-play configuration. Furthermore the back-up solution
of the MA VPU is second to none. It is possible to back up all my MA VPUs with just
one additional MA VPU. In the case of a failure you just have to configure the MA
VPU to be backed up. Also, multiple functions like Colour-Keying are a huge
step ahead.
Stefan Junker and Robert
Sommer were the lighting technicians. Peter Stephan was the tour rigger. Marcus
Bergmann was responsible for video direction. Michael Prange, Tom Rath and
Jürgen Lochbrunner worked as cameraman. POOLgroup GmbH delivered the lighting
equipment.
Further information: www.malighting.com
, Tel.: +49 5251 688865-10
Company Profile
MA Lighting International, based in
Today, MA Lighting is respected for its technical
knowledge and has achieved a unique international reputation for its
operational philosophy. The company offers 25 years experience and strictly
follows a professional user-centric approach, getting as close as possible to
the market via its own international offices and support centres in the UK,
North America, Latin America, the Middle East/India, Asia Pacific and
Scandinavia/Eastern Europe/Russia – supported by a world-wide distribution and
service network.