
Three grandMA full-size
consoles and a grandMA2 light were used to control nearly 500 high powered
light sources for the colourful and highly acclaimed Closing Ceremony of the
2010 World Cup, staged at Soccer City Stadium, Soweto, Johannesburg. The 2010 Closing
Ceremony event was produced by the VWV Group, it featured a cast of 740
including 40 elephant operators and 35 principal artists and has been acclaimed
as one of the best and most visually exciting World Cup Closing ceremonies to
date.
Spectacular lighting
for the occasion was designed by Tim Dunn and Hugh Turner. Dunn also programmed
and ran the show, with all the lighting equipment supplied by Gearhouse South
Africa. Tim Dunn and Hugh Turner are both experienced lighting designers. Dunn
has numerous spectacular stadium shows to his name, which combined with
Turner's vast theatrical experience, made them the perfect visuals team to
create a memorable, epic lightshow for the occasion. The visual picture was
completed with stunning large format projections onto a 55 square metre area in
the middle of the pitch - for the first time in South Africa.
grandMA control has
been the first choice for both Dunn and Turner for the last four years, ever
since Gearhouse South Africa first invested in the platform as the most stable
and flexible on the market - so there was never any question about the control
kit!
However, with
programming time in the actual stadium being tight and only a single full dress
rehearsal with the cast scheduled, it was also an opportunity for them to try
and relieve some of the pressure by pushing the potential of the MA visualiser grandMA
3D to the maximum. This gave them an invaluable opportunity to programme the
show's basic building blocks in advance and be well ahead by the time they
could access the venue with all the lights rigged-and-ready.
They set up a full
grandMA 3D system in a studio a week before arriving on site, together with the
show console. Before this, a schematic plan of the stadium had been sourced
from the architects, which was refined, re-drawn and imported into grandMA 3D,
and then all the lighting positions could be added. Being the first ever
entertainment event in the new 95,000 capacity stadium, all the production
equipment was installed for the first time in a number of ways including
special customised brackets or flown trusses.
All 468 lights were
put into their correct positions on the grandMA 3D plot. Dunn & Turner then
spent a week pre-programming, discovering what effects worked best with which
fixtures, which of the different areas could be lit with best impact, how to
get key lighting onto the performers whilst not interfering with the
projection, etc, and other major practical and creative decisions.
With such a high
profile, high pressure show, the opportunity of using grandMA 3D was "absolutely
invaluable" and "A great tool for experienced people," says Tim
Dunn. Above all, it enabled them to arrive at Soccer City with a good
proportion of the show already in the desk, ready for fine tuning.
The lamp count
included 48 x Vari*Lite VL3500 Spots, 48 x VL3000 Spots, 20 x VL VLX, as well
ass 124 x Panther PS2000 2K searchlights, 84 x Panther CM5000 5K searchlights, and
numerous Robe moving lights.
The control system
included 14 x MA NSP (Network Signal Processor) and 6 x MA NPU (Network
Processing Unit) and ran a total of 30 DMX universes plus 10 spares. Data was
distributed around the stadium over a four kilometre fibre network designed by
Gearhouse Media's Chris Grandin.
Up at the FOH control
position, the grandMA2 light was configured as master desk and the one used to
monitor the entire system. Then there were two grandMA full-size consoles, the
show desk (run in slave mode), used for all the programming and operating, plus
the backup desk, run in master mode. The fourth desk was down on the field of
play during programming, used for focussing the fixtures that could not be
clearly seen from the FOH position, which was half way up the seating stands.
Throughout the week
in the stadium, MA's South African distributor DWR Distribution was on hand with
technical support if needed, maintaining the great service and enthusiasm for
live events for which they are renowned.
VWV has received
accolades from all over the world for the colourful, vibrant 30 minute Closing
Ceremony, widely recognized as a great visual and aesthetic success, both on
the worldwide live telecast and for the capacity audience who packed into
Soccer City ahead of the 2010 World Cup Final between Spain and Holland.
Photos – Copyright: Louise Stickland
Further information: www.malighting.com , Tel.: +49 5251
688865-10
Company Profile
MA Lighting International, based in Paderborn, Germany,
is the dedicated sales, support and service entity for the renowned grandMA
control systems, digital dimming systems, networking tools and media servers of
MA Lighting Technology, based near Wuerzburg, Germany. The product range offers
cutting-edge solutions for control and dimming, including the award-winning
grandMA/grandMA2 consoles, the popular Lightcommander and reliable digital
dimmer racks and packs. With its innovative MA Video Processing Unit (VPU) MA
bridges the lighting and video worlds.
Today, MA Lighting is respected for its technical
knowledge and has achieved a unique international reputation for its
operational philosophy. The company offers 25 years experience and strictly
follows a professional user-centric approach, getting as close as possible to
the market via its own international offices and support centres in the UK,
North America, Latin America, the Middle East/India, Asia Pacific and
Scandinavia/Eastern Europe/Russia – supported by a world-wide distribution and
service network.